Slide Film Types (Color Reversal Film)

Slide film example

Slide film [E-6], also known as reversal film, is a type of film that creates a positive image instead of negative images or negatives [C-41].
More on the differences between E-6 and C-41

Slide film produces vibrant and rich colors that come closer to the actual colors and tones present during exposure. When processing film, you can choose to have the transparency mounted in a cardboard or plastic holder (The Darkroom uses plastic holders) for projecting is a slide projector.

These transparencies or diapositives (abbreviated as “diafilm”) come in sizes from 35mm, medium format film, and large format, such as 8×10 sheet film. Modern-day color reversal film is processed with E-6 processing. The major film brands for color reversal film are Kodak and Fuji. The ISO film speed of slide film is a typically slow film that results in extremely fine grains to produce sharper images.

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Index of Film

Photography film index

The Darkroom’s comprehensive index of film types; characteristics, examples, and reviews ☆☆☆☆☆.

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Kodak Ektachrome 100

Kodak Ektachrome 100

Ektachrome comes in 35mm and 120. It’s known for its beautiful color and like most slide films, has a super fine grain, rich saturated color, and is great for daylight shooting. For being slide film it has decent exposure latitude and does well with portraiture as well as landscapes.

Speed: ISO 100/21° | Balance: Daylight | Saturation: very high
Formats: 35mm & 120
Grain: RMS 8 – Extremely Fine Grain
Film Review


Velvia 50

The film is named from blending “Velvet Media”, a reference to the smooth images it produces. This film has an amazing color, super fine grain, and much better tonal transitions and exposure latitude than Velvia 100 which means to does better in contrasty light.

Fujifilm [Introduced 2007] Speed: ISO 50/18° | Balance: Daylight | Saturation: very high
Formats: 35mm, 120, 4×5. 220 & 8×10 are discontinued
Grain: RMS 9  |  Exposure: latitude ±½ stop
Film Review

fujifilm T64 35mm film

Fujichrome T64

In its speed class, this new film provides one of the highest levels of fine-grain possible and faithful color reproduction. It also provides rich gradation and a well-controlled gray balance. These qualities make RTP particularly suited to all types of product photography, interior, and other architectural work, as well as the reproduction of illustrations, paintings, etc. A Tungsten film that casts strong tones of blue. Shoot with this film during daylight and expect moody blue colors.

Fujifilm [Introduced 2006] Film is no longer being manufactured.
Speed: ISO 64/19°  | Saturation: very high
Formats: 35mm, 120, 4×5 & 8×10
Grain: RMS 7  |  Exposure: latitude + 2/3 stop
Film Review



Kodak E100VS film gives photographers the most vivid, saturated colors available in any 100-speed transparency film. It’s a daylight-balanced, color reversal film designed for Kodak Chemicals, Process E-6. And its brilliant colors are made possible by Kodak’s new, proprietary Color Amplifying Technology.

E100VS Film is designed for both location and studio applications. It’s ideal for creating high-color transparency images that jump off the lightbox. Use E100VS for nature, scenics, wildlife, food, and jewelry – in fact, any subject that calls for brilliant and dramatic hues.

Film is no longer being manufactured.
Film Review


Fuji Provia 100F

The most versatile of Fuji slide films with decent exposure latitude, medium saturation, and contrast. Our favorite portrait slide film because it does well with skin tones

Film Review

FujiFilm RAP Astia 100

Astia RAP

Fujichrome Astia 100F (RAP 100F) Professional Film A combination of the latest in Multi-Color-Correction Layer technology and exceptionally fine-grain technologies have resulted in Astia 100F a film with strikingly improved smooth and natural skin tones from the highlights to the shadows.

Film is no longer being manufactured.
Speed: ISO 100 | Grain: RMS 7
Film Review


Velvia 100

Velvia 100 is a daylight-balanced color transparency film that exhibits incredibly high color saturation reproduction along with a super-fine grain structure to render imagery cleanly and clearly. It has a medium-speed nominal sensitivity of ISO 100/21° when processed in E-6 or CR-56 processes and can effectively be pulled one-half stop or pushed one-stop with Minimal variations in color balance and gradation.

The introduction of new-generation cyan, magenta, and yellow couplers gives this film its uniquely saturated look and also offers anti-fading characteristics for ensured color image storage permanence. High overall contrast and vivid color reproduction make this film ideal for use in a wide range of photographic applications and are especially well-suited for use in scenic and nature photography.

Speed: ISO 100/21° | Balance: Daylight
Film Review

fpp retrochrome 400 35mm

FPP RetroChrome 400

RetroChrome is a government surplus High-Speed Eastman Ektachrome color positive film. Made for industrial and governmental applications, Kodak adds “it is color reversal camera film that is intended for photography under daylight illumination. Among its many applications are news photography, sporting events, and industrial photography.”

Kodak Rolled by FPP | Speed: ISO 400
Find it at Film Photography Store
Film Review

Fuji Provia 400x

Fuji Provia 400x

This versatile 35mm slide film is a great choice for all lighting conditions and has high saturation with vivid color. Whether shooting landscape, nature, snapshot, or portrait photography, this film produces realistic and sensitive reproduction of an almost endless variety of subjects with fine grain and superb sharpness

Provia 400X has replaced Provia 400F. Provia 400X features greater saturation and finer grain for today’s professionals.

Film is no longer being manufactured.
Speed: ISO 400| Grain: RMS 11
Film Review


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