FPP RETROCHROME 400 - Film Gallery

FPP RETROCHROME 400

FPP RETROCHROME 400 Film

Images shot with RETROCHROME 400

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NYC on retrochrome 400 accidentally rated at 500 iso — NYC on retrochrome 400 accidentally rated at 500 iso
Dallas Rexrode

NYC on retrochrome 400 accidentally rated at 500 iso — NYC on retrochrome 400 accidentally rated at 500 iso
Dallas Rexrode

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode

Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In camera Matrix metering with TTL flash sync. Developed in CineStill E6 kit, Dynamic Chrome D9 developer 1:3 dilution for 13 minutes per chemistry instructions. Digital scan using Fujifilm XT5 w/ XF30 macro lens, post processing in Photoshop. Note: Slides looks VERY bleached, don’t be scared! — Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In came...
Kyle Holmquist

Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In camera Matrix metering with TTL flash sync. Developed in CineStill E6 kit, Dynamic Chrome D9 developer 1:3 dilution for 13 minutes per chemistry instructions. Digital scan using Fujifilm XT5 w/ XF30 macro lens, post processing in Photoshop. Note: Slides looks VERY bleached, don’t be scared! — Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In came...
Kyle Holmquist

Atlanta Georgia shot on a canon ae-1 / retrochrome 400 — Atlanta Georgia shot on a canon ae-1 / retrochrome 400
Dallas Rexrode

Atlanta Georgia shot on a canon ae-1 / retrochrome 400 — Atlanta Georgia shot on a canon ae-1 / retrochrome 400
Dallas Rexrode

Atlanta Georgia shot on a canon ae-1 / retrochrome 400 — Atlanta Georgia shot on a canon ae-1 / retrochrome 400
Dallas Rexrode

Atlanta Georgia shot on a canon ae-1 / retrochrome 400 — Atlanta Georgia shot on a canon ae-1 / retrochrome 400
Dallas Rexrode

DAMON C SCHNEPF

DAMON C SCHNEPF

DAMON C SCHNEPF

Canon AE-1 Program - Soligor 21mm lens — Canon AE-1 Program – Soligor 21mm lens
Avery Mcpherson

Plants and Knitting — Plants and Knitting
Ashley Richardson

Garfield Park Conservatory, Indianapolis — Garfield Park Conservatory, Indianapolis
Ashley Richardson

Martini Glasses — Martini Glasses
Ashley Richardson

Garfield Park Conservatory, Indianapolis — Garfield Park Conservatory, Indianapolis
Ashley Richardson

Philadelphia. Canon AE-1, 50mm f/1.8. Skylight 1B filter. @ryderharrisphotography — Philadelphia. Canon AE-1, 50mm f/1.8. Skylight 1B filter. @ryderharrisphotography
Ryder Harris

Philadelphia. Canon AE-1, 50mm f/1.8. Skylight 1B filter. @ryderharrisphotography — Philadelphia. Canon AE-1, 50mm f/1.8. Skylight 1B filter. @ryderharrisphotography
Ryder Harris

Jonathan Collins

Jonathan A Collins

Jonathan A Collins

Jonathan A Collins

Jonathan A Collins

Derry, NH. Love this Retrochrome film! (set black point to make it pop.) — Derry, NH. Love this Retrochrome film! (set black point to make it pop.)
Christopher E Katz

Portsmouth NH. Love this Retrochrome film! (set black point to make it pop.) — Portsmouth NH. Love this Retrochrome film! (set black point to make it pop.)
Christopher E Katz

Portsmouth NH. Love this Retrochrome film! (set black point to make it pop.) — Portsmouth NH. Love this Retrochrome film! (set black point to make it pop.)
Christopher E Katz

Overexposed +1 Do not buy this — Overexposed +1 Do not buy this
Reuben Zuazua

Overexposed +1 Do not buy this — Overexposed +1 Do not buy this
Reuben Zuazua

Overexposed +1 Do not buy this — Overexposed +1 Do not buy this
Reuben Zuazua

Overexposed +1 Do not buy this — Overexposed +1 Do not buy this
Reuben Zuazua

Overexposed +1 Do not buy this — Overexposed +1 Do not buy this
Reuben Zuazua

Hidden Lake Gardens - Nikon N6006, Nikkor 28 mm 3.5 exposure not recorded — Hidden Lake Gardens – Nikon N6006, Nikkor 28 mm 3.5 exposure not recorded
ERIK M EPSKAMP

Hidden Lake Gardens Conservatory - Nikon N6006 28 mm 3.5 exposure not recorded — Hidden Lake Gardens Conservatory – Nikon N6006 28 mm 3.5 exposure not recorded
ERIK M EPSKAMP

Kingston, New Jersey | Spotmatic II | SMC Takumar 55mm f/2 — Kingston, New Jersey | Spotmatic II | SMC Takumar 55mm f/2
Khürt Williams

Kingston, New Jersey | Spotmatic II | SMC Takumar 55mm f/2 — Kingston, New Jersey | Spotmatic II | SMC Takumar 55mm f/2
Khürt Williams

Kingston, New Jersey | Spotmatic II | SMC Takumar 55mm f/2 — Kingston, New Jersey | Spotmatic II | SMC Takumar 55mm f/2
Khürt Williams

Shot on Canon AE-1 @tessa.klingensmith.photo — Shot on Canon AE-1 @tessa.klingensmith.photo
Tessa Klingensmith

Shot on Canon AE-1 @tessa.klingensmith.photo — Shot on Canon AE-1 @tessa.klingensmith.photo
Tessa Klingensmith