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Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode RETROCHROME 400

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode RETROCHROME 400

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode RETROCHROME 400

Virginia Beach on Retrochrome 400 — Virginia Beach on Retrochrome 400
Dallas Rexrode RETROCHROME 400

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode RETROCHROME 400

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode RETROCHROME 400

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode RETROCHROME 400

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode RETROCHROME 400

Virginia beach on Retrochrome 400 canon ae-1 — Virginia beach on Retrochrome 400 canon ae-1
Dallas Rexrode RETROCHROME 400

Mamiya 645 — Mamiya 645
Isai Hernandez TRI-X 400

eastman double x canon rebel xs — eastman double x canon rebel xs
Dallas Rexrode BWXX

eastman double x canon rebel xs — eastman double x canon rebel xs
Dallas Rexrode BWXX

Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In camera Matrix metering with TTL flash sync. Developed in CineStill E6 kit, Dynamic Chrome D9 developer 1:3 dilution for 13 minutes per chemistry instructions. Digital scan using Fujifilm XT5 w/ XF30 macro lens, post processing in Photoshop. Note: Slides looks VERY bleached, don’t be scared! — Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In came...
Kyle Holmquist RETROCHROME 400

Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In camera Matrix metering with TTL flash sync. Developed in CineStill E6 kit, Dynamic Chrome D9 developer 1:3 dilution for 13 minutes per chemistry instructions. Digital scan using Fujifilm XT5 w/ XF30 macro lens, post processing in Photoshop. Note: Slides looks VERY bleached, don’t be scared! — Retrochrome 400, exposed @ ASA 400 with Nikon N90s, 50mm Nikon AF-D, Nikon SB-27 Speedlight. In came...
Kyle Holmquist RETROCHROME 400

Lake Wenatchee - canon ae1 and kodak gold 200 — Lake Wenatchee – canon ae1 and kodak gold 200
35mm zw on Flickr Gold 200

snake river - canon ae1 and kodak gold 200 — snake river – canon ae1 and kodak gold 200
35mm zw on Flickr Gold 200

mt. hood reflecting into trillium lake - pentax mx and portra 400 — mt. hood reflecting into trillium lake – pentax mx and portra 400
35mm zw on Flickr Portra 400

twilight - pentax k1000 and fujifilm 200 — twilight – pentax k1000 and fujifilm 200
35mm zw on Flickr FujiColor 200

country road - canon ae1 and ultramax 400 — country road – canon ae1 and ultramax 400
35mm zw on Flickr Ultramax 400

trillium lake sunrise - canon ae1 and fuji pro400h — trillium lake sunrise – canon ae1 and fuji pro400h
35mm zw on Flickr Pro400H

starry night - pentax k1000 and cinestill 800t — starry night – pentax k1000 and cinestill 800t
35mm zw on Flickr 800T

full moon and fog - canon a1 and portra 800 — full moon and fog – canon a1 and portra 800
35mm zw on Flickr Portra 800

Nikon F2 | Kolam, Kerala — Nikon F2 | Kolam, Kerala
ARUN SUKUMARAN Ektar

Nikon F2 | Vypin, Kochi, Kerala — Nikon F2 | Vypin, Kochi, Kerala
ARUN SUKUMARAN Ektar

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